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**alamira** · 07-06-2008, 04:11 PM

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Ahmed Ezz advances steadily along his acting career, not yielding to one-size-fits-all roles

Muzakerat Muraheka, starring Hend Sabry and directed by Inas Al Digaidy, marked his debut. Directed by Sandra Nashaat, Malaky Iskendrya is another step upward. In his latest, Masgoon Transit, also directed by Nashaat, he stars in front award-winning actor Nour Al Sheriff

Star is…extremely handsome actor: Ahmed Ezz – and here is Masrawy's interview with him

Q: Did you choose Nour Al Sheriff to star in Transit as Mahmoud Yassin starred in Ahmed Al Sakka’s Al Jazeera (The Island)

A: I think that is just conventional. As a matter of fact, younger generations have got a lot to learn from older ones. Personally, I’ve learnt a lot from Nour Al Sheriff

Q: But you’ve got not much more to say, so some say

A: That’s not true. Reality is, Yassin and Al Sheriff do not contribute to too many scenes in both movies. They just fit into their roles. Eventually, we [Al Sakka and I] are actual stars in both movies

Q: How about Eman Al Assy? Was she picked up because big female stars refused a minor role

A: That doesn’t apply in my case. I have not even heard of a similar thing from Nour, Ghada Adel, Zeina and Dalia Al Beheiry – all female stars in my previous movies. Al Assy, however, was recommended by producer Wael Abdullah and director Sandra Nashaat and I showed interest only.

Q: You feel a bit worried a fresh face star before you in Transit when big female names star in other movies

A: Al Assy is a successful actress already. She has her acting signature in TV. But I believe she’s a got much more to say in this and upcoming movies and to prove one of her generation’s most powerful actresses

Q: You seem to work with same crew. You mean it

A: Actually, producer does not have a monopoly on me; we’re just friends. Plus, he does what it takes to make a movie go through. With Nashaat, too, I feel I’m in safe hand; she’s really brilliant. She’s got a talent to bring it all up. Finally, Salah Abdulla, besides being a powerful actor himself, I enjoy working with him

Q: Masgoon Transit. What message does it have

A: You’ve got to avoid little mistakes which, not taken care of that leads to huge problems

Q: How about your role

A: I play a ceramics craftsman who, for inevitable circumstances, goes to jail and strives to prove not guilty

Q: How about suspense, like in Alexandria Private and The Ghost

A: Well, yeah, Transit is a sort of a thriller

Q: But then how different is Transit than Private and The Ghost?

A: The approach is different. Actually, I’ve had extended sessions with writer Wael Abdullah in order to make sure movie suits viewers’ tastes and, above all, not to repeat oneself

Q: Your movies seem too “American”. Don’t you agree with that

A: Same thing happened with The Ghost. The Ghost, some said, is only a replica of Born Identity even though both share hero’s loss of memory only. Matter of fact is similar events are only a too common practice in movies. You just have got to watch out for plagiarism trap. To answer your question, I do not mean to “Americanize” Egyptian movies at all

Q: Now in Transit you play a ceramics craftsman. You mean to get as far as possible from an all too-hot box office star role

A: No. I do not even care about being handsome or not. Plus, viewers won’t waste money every time only to watch a handsome guy. That would happen once or twice but to go on forever, I don’t think so. Truly, I sometimes think of myself when I am no longer that handsome guy who used to be. Would I, then, still qualify to play “handsome” roles

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صور فيديو العاب

Ahmed Ezz: I'm not Just a Hot Guy